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DTSTART;VALUE=DATE:20210807
DTEND;VALUE=DATE:20220808
DTSTAMP:20260610T171920
CREATED:20210823T135156Z
LAST-MODIFIED:20210823T135156Z
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SUMMARY:Mary Ruppert represented by Photo Art Pavilion on-line.
DESCRIPTION:Mary Ruppert’s photography will be shown on Photo Art Pavilion on line after being contacted by the gallery owners and curators of the website.\nPhoto Art Pavilion features the artwork of photographers in many genres for both enjoyment and for sale in many sizes and media.
URL:https://www.huntingtonarts.org/event/mary-ruppert-represented-by-photo-art-pavilion-on-line/2021-08-07/
LOCATION:PHOTOART PAVILIONWEBSITE\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220510T133000
DTEND;TZID=America/New_York:20220809T153000
DTSTAMP:20260610T171920
CREATED:20210114T154059Z
LAST-MODIFIED:20210114T154059Z
UID:10003736-1652189400-1660059000@www.huntingtonarts.org
SUMMARY:Fearless Watercolors – Virtual Classes with Jan Guarino
DESCRIPTION:Painting different a subject matter each week from landscapes\, seacapes\, still lifes\, florals and portraits. I will show you techniques that will allow you to feel free while holding onto detail\, gain control\, make corrections and have fun. Learn to trust your instincts with color and add contrast and allow blossoms\, drips and splatters to work for you. $25 per class includes a 2+ hour class\, critique and recording. Sign up for my newsletters to receive class updates on my website: janguarinofineart.com
URL:https://www.huntingtonarts.org/event/fearless-watercolors-virtual-classes-with-jan-guarino/2022-05-10/
LOCATION:Zoom
CATEGORIES:Workshop Classes
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ORGANIZER;CN="Jan Guarino":MAILTO:jan@guarino.gallery
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220713T190000
DTEND;TZID=America/New_York:20220810T200000
DTSTAMP:20260610T171920
CREATED:20220712T131217Z
LAST-MODIFIED:20220712T131217Z
UID:10005213-1657738800-1660161600@www.huntingtonarts.org
SUMMARY:Freeport Memorial Library Presents Adult Drumming on the Mile
DESCRIPTION:Adult Drumming on the Mile\npresented by Spirit Sky\nWEDNESDAYS\, 7 p.m.\nJULY 13\, 20: AUGUST 3\,10\nNautical Mile at the Grover tent 195 Woodcleft Ave. \nJoin professional drummer George Schultze\, and learn the benefits of drumming. It is a great way to reduce stress\, depression\, and anxiety while meeting others. Class size is limited. Registration is necessary. Register online\, by phone\, or in person at the ASK Desk. Freeport Memorial Library. www.freeportlibrary.info 516-379-3274. Free.
URL:https://www.huntingtonarts.org/event/freeport-memorial-library-presents-adult-drumming-on-the-mile/
LOCATION:Freeport Memorial Library\, 144 W. Merrick Rd\, Freeport \, NY\, United States
CATEGORIES:Miscellaneous
GEO:40.6535593;-73.586754
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220715
DTEND;VALUE=DATE:20220817
DTSTAMP:20260610T171920
CREATED:20220324T213832Z
LAST-MODIFIED:20220324T213832Z
UID:10005209-1657843200-1660694399@www.huntingtonarts.org
SUMMARY:Steve Walker Art\, LI Charcoal Artist Exhibit at Northport Village\, Daniel Gale Sotheby’s
DESCRIPTION:CHARCOAL ART – A DETAILED PERSPECTIVE\nSteve’s artwork will be exhibited in the Daniel Gayle Sotheby’s Art Gallery on 77 Main St\, Northport. Original artwork will be available for sale. Prior to the pandemic Steve Walker Art was exhibiting in library galleries across Long Island. Preview his most current artwork in FACEBOOK “Steve Walker Art”\, INSTAGRAM “LongIslandCharcoalArtist”\, and new Web Site “https://www.artpal.com/SteveWalkerArt”
URL:https://www.huntingtonarts.org/event/steve-walker-art-li-charcoal-artist-exhibit-at-northport-village-daniel-gale-sothebys/
LOCATION:Please CHOOSE or add your venue!\, NY\, United States
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GEO:40.7127837;-74.0059413
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220728T120000
DTEND;TZID=America/New_York:20220820T180000
DTSTAMP:20260610T171920
CREATED:20220421T184321Z
LAST-MODIFIED:20220421T184321Z
UID:10005191-1659009600-1661018400@www.huntingtonarts.org
SUMMARY:fotofoto gallery presents: 8th International Phone-ography Competition Exhibition
DESCRIPTION:fotofoto gallery will feature the “8th International Phone-ography Competition Exhibition.” Approximately 30 photographs\, all created using a camera phone will be in a four-week exhibit at fotofoto gallery in August 2022. The juror\, TBA\, will select 1st\, 2nd and 3rd place winners. • Reception date TBD. fotofoto gallery\, 14 W. Carver Street\, Huntington\, NY Gallery Days and Hours: Thursday 12-4pm; Friday\, Saturday\, Sunday 11am-6pm. Go to fotofoto gallery Facebook\, Instagram and Website for prospectus and additional information.
URL:https://www.huntingtonarts.org/event/fotofoto-gallery-presents-8th-international-phone-ography-competition-exhibition/
LOCATION:fotofoto gallery\, 14 W. Carver Street\, Huntington\, NY\, 11743\, United States
CATEGORIES:Exhibitions
ORGANIZER;CN="fotofoto gallery":MAILTO:Contact@fotofotogallery.org
GEO:40.8689426;-73.4284211
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fotofoto gallery 14 W. Carver Street Huntington NY 11743 United States;X-APPLE-RADIUS=500;X-TITLE=14 W. Carver Street:geo:-73.4284211,40.8689426
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220728T120000
DTEND;TZID=America/New_York:20220820T180000
DTSTAMP:20260610T171920
CREATED:20220421T184639Z
LAST-MODIFIED:20220421T184639Z
UID:10005190-1659009600-1661018400@www.huntingtonarts.org
SUMMARY:fotofoto gallery presents "Artists' Invitational\," a Group Exhibition by fotofoto gallery Artist Members & Invited Guest Artists.
DESCRIPTION:fotofoto gallery features “Artists’ Invitational\,” a Group Exhibition featuring works in a variety of media by fotofoto gallery Artist Members and their Invited Guest Artists. • fotofoto gallery\, 14 W. Carver St.\, Huntington\, NY 11743. Gallery Days and Hours: Thursday 12:30-4pm; Friday\, Saturday\, Sunday 11am-6pm. Reception Date Saturday\, July 30th 5-7pm. Go to fotofoto gallery Facebook\, Instagram and Website for information.
URL:https://www.huntingtonarts.org/event/fotofoto-gallery-presents-artists-invitational-a-group-exhibition-by-fotofoto-gallery-artist-members-invited-guest-artists/
LOCATION:fotofoto gallery\, 14 W. Carver Street\, Huntington\, NY\, 11743\, United States
CATEGORIES:Exhibitions
ORGANIZER;CN="fotofoto gallery":MAILTO:Contact@fotofotogallery.org
GEO:40.8689426;-73.4284211
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fotofoto gallery 14 W. Carver Street Huntington NY 11743 United States;X-APPLE-RADIUS=500;X-TITLE=14 W. Carver Street:geo:-73.4284211,40.8689426
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220801T000000
DTEND;TZID=America/New_York:20220831T000000
DTSTAMP:20260610T171920
CREATED:20220324T221636Z
LAST-MODIFIED:20220324T221636Z
UID:10005182-1659312000-1661904000@www.huntingtonarts.org
SUMMARY:bj spoke gallery presents 2022
DESCRIPTION:PAPERWORKS 2022 International Juried Art Competition \nELIGIBILITY: Artists using paper as their primary substrate\, or the subject of a video. All entries to the Paperworks 2022 competition must be the original work of the artist. \nACCEPTED MEDIA: Works made on\, with\, or about\, PAPER: cut paper\, folded paper\, woven paper\, glued paper\, drawings\, paintings\, pastels\, printmaking\, photographs\, paper sculpture\, digital art\, bound books\, collage\, mixed media\, video\, and installation. \nJUROR: Kiko Aebi is a Curatorial Assistant in the Department of Drawings and Prints at The Museum of Modern Art\, New York\, since 2019. In this role\, she has provided exhibition and acquisition support on various projects. Most recently\, she worked with Senior Curator Jodi Hauptman and Associate Curator Samantha Friedman on Cézanne Drawing (2021) and contributed texts to the associated exhibition catalogue. \nShe is the recipient of a Fulbright Research Grant and holds an M.A. in Contemporary Art History from Vrije Universiteit in Amsterdam and a B.A. in Art History and Environmental Studies from Amherst College. \nAWARD: Selected artists will have up to six pieces included in a one month\, online exhibition on – bjspokegallery.org and promoted on b.j spoke gallery’s social media accounts from August 1-31\, 2022. Awards will be given to 1st\, 2nd\, and 3rd place artists. \nOPENING RECEPTION: Saturday\, August 13th at 7:00pm on ZOOM (Video Communications Inc.). \nENTRY FEE: $35.00 for up to 6 images and/or 2 videos\, any or all of which could be selected for the on line exhibition. You will be juried on your body of work. If you’re submitting an Installation or sculptural work you might consider using 2 or more of your 6 permitted images and/or a video\, in order to give the juror an accurate visual. However\, please keep in mind 6 images are 6 images\, not 6 entries. \nSIZE LIMITATIONS: PAPERWORKS 2022 will be an online exhibition. There are no size constraints for work submitted. \nDEADLINE: May 22\, 2022 11:59 (Mountain Time) \nNOTIFICATION: Artists will be contacted by June 10\, 2022 \nLEGAL AGREEMENT: Entering the competition implies your consent for b.j. spoke gallery to use your name\, artist statement\, and images of your art in all advertising and publicity for PAPERWORKS 2022\, including but not limited to; print\, video\, on line\, on ZOOM\, bjspokegallery.org and social media. \nHOW TO APPLY: Submissions are made through Call for Entry (CaFÉ) website. You must create a user account on CaFE in order to submit your work to PAPERWORKS 2022. It’s free\, just go to: https://artist.callforentry.org/register.php If already have an account on CaFE you can access the call directly here: https://tinyurl.com/y2shd75m. or go to https://www.bjspokegallery.org/paperworks-2022/artist-opportunities/
URL:https://www.huntingtonarts.org/event/bj-spoke-gallery-presents-2022/
LOCATION:on line
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ORGANIZER;CN="bj spoke gallery":MAILTO:manager@bjspokegallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220803
DTEND;VALUE=DATE:20220830
DTSTAMP:20260610T171920
CREATED:20220712T130731Z
LAST-MODIFIED:20220712T130731Z
UID:10005179-1659484800-1661817599@www.huntingtonarts.org
SUMMARY:Freeport Library Presents Black and White and Gray
DESCRIPTION:Black and White and Gray\nby Howie Pohl\nAUGUST 3 to 29\nReception:\nSATURDAY\, AUGUST 13\, 11 a.m.\nHoward Pohl creates his photographs using black-and-white film\, developed and printed by hand in his home darkroom. All of the photos in this show have been selected by jurors at major galleries and museums. His subjects are highly varied\, covering portraiture\, landscapes\, architecture\, and found objects. Freeport Memorial Library 144 W. Merrick Road\, Freeport\, NY. 516-379-3274\, www.freeportlibrary.info. Free.
URL:https://www.huntingtonarts.org/event/freeport-library-presents-black-and-white-and-gray/
LOCATION:Freeport Memorial Library\, 144 W. Merrick Rd\, Freeport \, NY\, United States
CATEGORIES:Exhibitions
ORGANIZER;CN="Freeport Memorial Library":MAILTO:mpignataro@freeportlibrary.info
GEO:40.6535593;-73.586754
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Freeport Memorial Library 144 W. Merrick Rd Freeport  NY United States;X-APPLE-RADIUS=500;X-TITLE=144 W. Merrick Rd:geo:-73.586754,40.6535593
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220807T080000
DTEND;TZID=America/New_York:20220807T080000
DTSTAMP:20260610T171920
CREATED:20220802T144950Z
LAST-MODIFIED:20220802T144950Z
UID:10005166-1659859200-1659859200@www.huntingtonarts.org
SUMMARY:The Art Guild of Port Washington Call to Artists: Home is Where the Art is
DESCRIPTION:Call to Artists: Juried art and Competition\, DEADLINE extended \n“Home is where love resides\, memories are created\, friends always belong\, and laughter never ends.”\nWe invite you to submit your art that manifests home to you. It can be a place where you find comfort and security\, an experience\, a feeling\, a memory\, food and/or loved ones.
URL:https://www.huntingtonarts.org/event/the-art-guild-of-port-washington-call-to-artists-home-is-where-the-art-is/
LOCATION:The Art Guild of Port Washington\, 200 Port Washington Boulevard\, Manhasset\, NY\, 11030
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://www.huntingtonarts.org/wp-content/uploads/2022/08/Home.is_.where_.Horiz_-1.jpg
ORGANIZER;CN="The Art Guild":MAILTO:info@theartguild.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220807T200000
DTEND;TZID=America/New_York:20220807T233000
DTSTAMP:20260610T171920
CREATED:20220606T190800Z
LAST-MODIFIED:20220606T190800Z
UID:10005165-1659902400-1659915000@www.huntingtonarts.org
SUMMARY:The Paramount Presents Gov't Mule "Summer Tour 2022"
DESCRIPTION:One wouldn’t think that in a career spanning more than 25 years and some 20 live and studio albums\, there could possibly be anything left for a band to accomplish that could be considered a first. And when that band is Gov’t Mule\, a group known for pushing the parameters while melding a variety of genres — rock\, R&B\, jam\, funk\, jazz\, and practically everything in-between — it’s even more astonishing to think there’s anything that hasn’t already been attempted. \nIndeed\, Gov’t Mule have never been known to rest on their laurels or shy away from a new challenge. Theirs is a sound that feeds off spontaneity and improvisation\, a signature style that pays little heed to expectation\, predictability\, or needless repetition. Consequently\, it’s not so much surprising that they’ve opted to record an album focused solely on the blues\, but rather the fact that they haven’t dared to do it before. \nThat said\, the band’s upcoming new album\, Heavy Load Blues (due November 12 on Fantasy Records) marks yet another milestone in Gov’t Mule’s remarkable trajectory. Yet\, it’s also been a project that guitarist\, vocalist\, songwriter\, and consistent helmsman Warren Haynes has set his sights on undertaking for quite some time. \n“For me\, personally\, it’s kind of been on my list of things to do for years\,” Haynes notes. “And for the last few years\, I’ve been thinking\, I want to do it sooner rather than later\, but I didn’t know if it was gonna be a solo album or a Gov’t Mule record. That was an unanswered question for me for a long time because I didn’t know if Matt (Abts; drums)\, Danny (Louis; keyboards\, guitar\, backing vocals)\, and Jorgen (Carlsson; bass) wanted to do a traditional blues album. But while talking about recording a new Gov’t Mule record\, our manager Stefani mentioned that in fact\, she thought we should do a blues record\, and it kind of made me think\, yeah\, maybe it should be a new band record as opposed to a solo record. We play some traditional blues on stage from time to time and although it’s usually never more than a few songs per show\, our approach to the blues is unique and based on our collective chemistry as a band. In hindsight\, I’m so glad that it turned out this way.” \nAlthough Heavy Load Blues can technically be considered a studio album\, it was recorded live in the studio.“We started thinking that\, well\, we can’t go out and perform due to the pandemic and yet we’ve got all this time on our hands\,” Haynes explains. “I had been doing a lot of writing\, so we might as well record as much as we can. We decided to record two records at the same time\, which would mean finding a place where we could pull off two entirely different set-ups with two different sets of equipment. We found this place that I had worked in the ‘90s called The Power Station New England\, and it’s a replica of the original\, famous Power Station studios in New York City where a lot of wonderful records were made. We set up in two different adjoining rooms to make two completely different sounding records. This particular album was recorded in what we called ‘the blues room.’ It had lower ceilings and it was a smaller space\, so we just turned it into something resembling a little blues club and set up like we were actually playing on stage together. We used monitors instead of headphones\, which meant we were more or less married to what we played. It was recorded virtually live in the studio because that’s the sound we wanted to capture. We used a lot of first takes\, and even if we did multiple takes\, they were done back-to-back. We would just kind of go with the vibe and add to the repertoire as we went along.” \nRecorded on analog tape\, the band utilized vintage guitars\, amps\, and other equipment to ensure an authentic sound.\n“For the most part\, everything we used was older than me\,” Haynes laughs. “It was an excuse to try a bunch of cool combinations. Plus\, it more or less helped dictate our direction. We would plug these old guitars into some weird old amps that I’d never tried before and the sound would end up influencing our approach to the songs.” \nIn one particular situation\, during the recording of the song “Make It Rain\,” they hit on a happy accident that occurred as they were laying down the track\, an unexpected element that actually helped enhance the song’s determined and defiant delivery. Haynes says it was a fortuitous situation that caught them totally by surprise.“I had brought in this old Fender spring reverb unit that I wanted to use on my guitar sound\,” he recalls. “They can be pretty finicky. If the stage isn’t solid\, or somebody’s jumping up and down\, it reacts by making this crazy reverb vibration that comes through the amp. I had intentionally set it up on the studio floor to make it kind of shockproof\, but what we didn’t allow for was some radio frequencies that randomly interfered and set it off. So\, it started making these weird sounds that sounded like thunder. We were in the middle of what turned out to be the best take\, and it began doing that throughout the whole thing. As it turned out\, it happened in these key spots in the song. For example\, the first time I say ‘make it rain\,’ it went off. We’re all looking at each other and kind of halfway laughing and halfway wondering\, ‘are we gonna be able to take that out? Because it was a really good take.’ When we were finished\, John Paterno\, the engineer\, and co-producer\, said\, ‘Why don’t you come in here and listen?’ When I walked in\, my first question was\, are we gonna be able to use it with all that noise? And he said\, ‘Oh\, we have to use it!’ It actually sounded like we planned it that way.” \nEncompassing an even mix of Haynes’ originals and revered covers originally made famous by the likes of Howlin’ Wolf\, Elmore James\, Junior Wells\, Ann Peebles\, Bobby “Blue” Bland\, and even Tom Waits and the Animals\, Heavy Load Blues provides a sense of authenticity maintained throughout the album’s thirteen tracks. An additional six studio tracks and two live tracks\, including another Haynes original and covers originally by Savoy Brown\, Sonny Boy Williamson\, Muddy Waters\, Otis Rush\, and more\, will appear on a deluxe edition. \n“I’m actually surprised that I had written as many blues songs as I had during the pandemic because I don’t tend to write a ton of traditional blues type material\,” Haynes reflects. “I have written a handful through the years\, but it worked out great because\, from the beginning\, the intent was to make this more of a traditional blues record and not just have a blues influence on it.” \nThe first track to be released from the album\, “Heavy Load\,” sets a different tone from previous Mule recordings. An ominous acoustic blues number laid out at a deliberate tempo and highlighted by Haynes’ mournful vocal and supple yet deliberate riffing\, it’s a number he claims to have been working on for several years\, but which he didn’t finish until shortly before the band entered the studio.\n“We tracked it\, just me and Danny\,” he recalls. “Danny played acoustic guitar and I played acoustic guitar and sang. It’s the last song that we tracked\, and it really\, really turned out great. It’s very traditional sounding\, as is the recording.” \nAnother of the many standout tracks\, the Junior Wells standard “Snatch It Back and Hold It” allowed the band to freely cover a classic while sandwiching a spontaneous jam called “Hold It Back” in the middle of a soulful\, stirring interpretation that was given a decidedly funky groove.\n“We had never played that middle section prior to recording it\,” Haynes insists. “While we were working up ‘Snatch It Back\,’ we just ran through all the key sections and when we got to the instrumental part\, we did a very brief talk through about how it might go. It was virtually a jam\, and in that sense\, it kind of referenced what we normally do on stage. We get an idea and run with it to see where it winds up. It never turns out exactly like you plan it\, which is great because if it is good\, it’s usually better than it would have been had you planned it a certain way.” \nIn that regard\, Haynes notes that while several titles may sound familiar to blues enthusiasts\, the band often opted to put its own spin on them. “I Feel Like Breaking Up Somebody’s Home” is an obvious example. Haynes’ nimble guitar riffs are played out over a solid foundation of organ and rhythm\, resulting in a kind of funk-like finesse. \n“‘I Feel Like Breaking Up Somebody’s Home’ was originally recorded by Ann Peebles\, but the first version I ever heard was by a New Orleans singer named Johnny Adams\,” Haynes mentions. “That’s one of the few songs on this record that we have previously played live. Through the years\, we’ve worked up a really cool version of it\, and so we decided to include it. We thought\, ‘well\, let’s play it a couple of times through\, and if we get a great take\, we’ll use it\,’ which we did. Then there’s the Howlin Wolf song\, ‘I Asked Her for Water\, She Gave Me Gasoline’ which we decided to do up-tempo and funky\, which makes it a lot different than the original version. It’s probably the heaviest track on the record\, and coincidentally\, one of the first things we recorded. We were still in the early stages of dialing in sounds and trying to decide on different guitar and amp combinations. To me\, it sounds different than the rest of the record. It has a similar nastiness to the original recording. As it was\, we kind of went for a different sound for each song in an odd sort of way. That was part of the beauty of it.” \nOf course\, those familiar with Gov’t Mule’s MO know that improvisation and experimentation have always been key to the band’s approach. Although Haynes admits that it can be difficult to capture that freewheeling delivery in a studio setting\, he feels that in fact they’ve managed to accomplish that with this album. \n“We take a different approach in the studio than a lot of bands do\,” Haynes muses. “Most bands\, I would say\, go into the studio to make the record that they envisioned then later they try to figure out how to perform the songs live. We’re kind of the opposite. We’re trying to conjure up in the studio what we know we’re capable of doing live. We get ourselves into a headspace and a comfortable place where we can tap into our own sound and that thing that happens magically when we’re together on stage. And\, of course\, those moments happen more and more the longer you stay together. We utilize a lot of the philosophy that we have developed over the years which is just to let things go and allow whatever happens to happen while trying not to overthink it. Any energy that’s lacking from having no audience\, we make up for by having multiple chances to do things over if we want to. The tracks wind up being kind of like blueprints for what will later happen live. For the most part\, we don’t think of them as the definitive version. Some songs may be\, but others\, — the ones that open themselves up to improvisation — not as much. Once you perform them live\, they kind of grow and grow and grow. A year later\, three years later\, they take on another life.” \nIn essence\, Heavy Load Blues found them skipping ahead and aiming for those final results even at the outset. “We went in with the specific goal of capturing the sound of the band playing live\,” Haynes maintains. “The only way we could do that was to set up the way we did\, and it not only enabled us to feel comfortable and play what we needed to play\, but to capture a sound that fits the music and the specific sound of an era. It sounds like what you hear in your head when you think about those classic recordings.” Haynes says that those were the influences that made an indelible imprint on him early on. “My two older brothers had great taste in music and began steering me towards blues at a very young age. I was a huge B.B. King fan — both of his voice and his guitar playing. I also loved Howlin’ Wolf\, Freddie King and Albert King. I had a guitar teacher that told me\, if you only study the three Kings — meaning Freddie\, B.B. and Albert — you could spend an entire lifetime just doing that. That really stuck with me. I listened a lot to all three of those guys. Muddy Waters was a big influence. Elmore James was a huge influence. I loved Otis Rush. I loved Junior Wells. All the people that we wound up covering on this record were major influences. Also\, Son House\, who we’ve covered previously\, was one of my all-time favorites. And\, of course\, everybody studies Robert Johnson\, who we’ve covered previously as well.” \nOf course\, there’s a fine line between interpretation and originality. Haynes says that when it came to the covers\, Gov’t Mule treat each offering on a song by song basis. “This album gave us a mission\,” Haynes notes. “Although in some way it was ‘anything goes\,’ we wanted to stay true to the spirit of the blues in a traditional sense. It’s not a blues/rock record – it’s a blues record. We wanted it sonically to sound different from a normal Gov’t Mule record and we wanted there to be boundaries. It’s hard to know where you draw the line on some of those things. It’s more of an unwritten rule that’s decided moment by moment. In some cases\, the original recordings had a lot to do with the approach we took. And in other cases\, we took the songs to a place far removed from the original. Some of them we treated a little more traditionally\, and some we stretched out and took more of a Gov’t Mule approach.” \nIn another first\, the band partnered with a new co-producer and engineer. It was the first time that they worked with Paterno\, and while it might have added another element of risk\, Haynes says that the end results overcame any uncertainties. \n“We were talking about having me produce the album\,” Haynes recalls. “If that was going to be the case\, then I wanted to get somebody who was really qualified to be in the engineering chair. John did a fabulous job. He and I had had a lot of conversations over the phone\, prior to going into the studio\, about conceptually what this album was going to be about and what it was going to entail. A lot of that fell on him\, technically — to figure out how it was all going to work — and somewhere along the line his role changed from engineer to that of a co-producer.” Ultimately\, Haynes says he’s completely pleased with how both the process and the project turned out. \n“I’m really glad that we made the decision as a band to make a blues record. Every one of us was excited about the concept and the change in direction. It forced us to do things completely differently than we’ve ever done in the past. When we would move into the blues room after recording Mule songs all day in the bigger room\, we were just kind of shutting our brains off\, and letting go and playing the blues. And it turned out to be music that only Gov’t Mule could make.
URL:https://www.huntingtonarts.org/event/the-paramount-presents-govt-mule-summer-tour-2022/
LOCATION:The Paramount\, 370 New York Ave\, Huntington\, NY\, 11743\, United States
ATTACH;FMTTYPE=image/png:https://www.huntingtonarts.org/wp-content/uploads/2022/06/Screen-Shot-2022-06-03-at-1.52.29-PM-1.png
GEO:40.86974;-73.4257977
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Paramount 370 New York Ave Huntington NY 11743 United States;X-APPLE-RADIUS=500;X-TITLE=370 New York Ave:geo:-73.4257977,40.86974
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220809T080000
DTEND;TZID=America/New_York:20220809T170000
DTSTAMP:20260610T171920
CREATED:20220811T203655Z
LAST-MODIFIED:20220811T203655Z
UID:10005164-1660032000-1660064400@www.huntingtonarts.org
SUMMARY:St. John'S Cultural Events Series Sing Noel!
DESCRIPTION:Take a joyous break from the holiday rush and join us for “Sing Noel!”\, our annual concert of Christmas song\, carols and stories featuring an amazing vocal quartet and special guests.
URL:https://www.huntingtonarts.org/event/st-johns-cultural-events-series-sing-noel/
LOCATION:St. John\’s Church\, Huntington\, 12 Prospect Street\, Huntington\, NY\, 11743\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/png:https://www.huntingtonarts.org/wp-content/uploads/2022/08/Sing-Noel-2.png
ORGANIZER;CN="St. John\'s Huntington":MAILTO:music@stjohnshuntington.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220809T100000
DTEND;TZID=America/New_York:20220809T120000
DTSTAMP:20260610T171920
CREATED:20220324T220147Z
LAST-MODIFIED:20220324T220147Z
UID:10005196-1660039200-1660046400@www.huntingtonarts.org
SUMMARY:Marc Courtade Presents Broadway Musicals: The 1940s
DESCRIPTION:After Oklahoma!\, Broadway Musicals embraced the new Rodgers and Hammerstein model. The 1940s saw several now classic musicals utilize the shift from Musical Comedy to Musical Theater\, adapting and creating new ways to entertain and tell the story. This course will focus on On the Town\, Annie Get Your Gun\, Finian’s Rainbow\, Brigadoon and South Pacific. \nThis course is part of the Frick Estate Lectures at The Nassau County Museum. For information on registration\, visit: https://www.thefrickestatelectures.org/
URL:https://www.huntingtonarts.org/event/marc-courtade-presents-broadway-musicals-the-1940s/2022-08-09/
LOCATION:Nassau County Museum of Art\, 1 Museum Drive\, Roslyn Harbor\, NY\, 11576\, United States
CATEGORIES:Theater,Workshop Classes
ATTACH;FMTTYPE=image/jpeg:https://www.huntingtonarts.org/wp-content/uploads/2022/03/171CD42A-F553-442E-8D04-17B2DD5F5EDC_1_201_a-1.jpeg
ORGANIZER;CN="The Frick Estate Lectures":MAILTO:admin@thefrickestatelectures.org
GEO:40.8081506;-73.6432387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Nassau County Museum of Art 1 Museum Drive Roslyn Harbor NY 11576 United States;X-APPLE-RADIUS=500;X-TITLE=1 Museum Drive:geo:-73.6432387,40.8081506
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220810T190000
DTEND;TZID=America/New_York:20220810T213000
DTSTAMP:20260610T171920
CREATED:20220801T131117Z
LAST-MODIFIED:20220801T131117Z
UID:10005175-1660158000-1660167000@www.huntingtonarts.org
SUMMARY:The Jazz Loft Presents Jazz concert and Jam Session
DESCRIPTION:Jazz concert and jam session\, featuring The Jazz Loft Trio (bassist Keenan Zach & friends).\nConcert at 7pm\, followed by an open jam at 8pm.\n7:00 PM. Tickets: arrive at 7:00 PM–$10; arrive at 8:00 for the open jam–$5.
URL:https://www.huntingtonarts.org/event/the-jazz-loft-presents-jazz-concert-and-jam-session-4/2022-08-10/
LOCATION:United States
CATEGORIES:Music
ORGANIZER;CN="The Jazz Loft":MAILTO:tmanuel@thejazzloft.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220811T180000
DTEND;TZID=America/New_York:20220811T190000
DTSTAMP:20260610T171920
CREATED:20220801T131308Z
LAST-MODIFIED:20220801T131308Z
UID:10005163-1660240800-1660244400@www.huntingtonarts.org
SUMMARY:The Jazz Loft Presents MONTELEONE: THE ART OF THE GUITAR
DESCRIPTION:Thurs. 8/11 through Sat. 8/13—\nMONTELEONE: THE ART OF THE GUITAR\nJohn Monteleone is one of the world’s greatest guitar builders. His guitars are on permanent display at the Metropolitan Museum. Several guitars will be on display at The Jazz Loft. \nTickets: Three-day Full Festival Pass– $265 adults\, $240 seniors\, $215 students\, $190 children\, children 5 and under free. Includes post festival VIP reception with food and drink. \nThurs. 8/11—\nOpening Reception—Monteleone: The Art of the Guitar.\nJohn Monteleone\, guitarist Steve Salerno\, and guitarist Anthony Wilson play and discuss guitars in the collection.\n6:00 PM to 7 PM. Single event tickets: $25.
URL:https://www.huntingtonarts.org/event/the-jazz-loft-presents-monteleone-the-art-of-the-guitar/
LOCATION:United States
CATEGORIES:Music
ORGANIZER;CN="The Jazz Loft":MAILTO:tmanuel@thejazzloft.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220811T190000
DTEND;TZID=America/New_York:20220811T210000
DTSTAMP:20260610T171920
CREATED:20220405T173459Z
LAST-MODIFIED:20220405T173459Z
UID:10005162-1660244400-1660251600@www.huntingtonarts.org
SUMMARY:Westbury Arts’ 8th Annual Summer Concert Series: Soul Purpose
DESCRIPTION:SOUL PURPOSE\, OFFICIALLY ESTABLISHED ON SEPTEMBER 2ND\, 2015\, FIRST STARTED OUT AS A GROUP OF MUSIC EDUCATION GRADUATES WHO DECIDED TO FORM A MOTOWN BAND FOR A DECENT-SIZED BACKYARD PARTY. WHAT INITIALLY STARTED OUT AS A ONE-TIME DEAL\, ENDED UP AS A PACT BETWEEN NEWFOUND SOUL BROTHAS! \nSINCE THEN\, WE HAVE EXPLODED ONTO THE NEW YORK MUSIC SCENE\, GAINED SOME NEW MEMBERS IN THE PROCESS\, AND NOW HAVE A REPUTATION FOR NOT ONLY BEING HIGH ENERGY BUT ALSO GETTING THE CROWD ON THEIR FEET WITH MUSIC THAT APPEALS TO ALL AGES!\n​\nWHAT SEPARATES US FROM ANY BAND IS OUR SHOWMANSHIP\, OUR BLEND OF GENRES\, AND OUR UNIQUE SELECTION OF SONGS TO KEEP YOU DANCING ALL NIGHT LONG!
URL:https://www.huntingtonarts.org/event/westbury-arts-8th-annual-summer-concert-series-soul-purpose/
LOCATION:Piazza Ernesto Strada\, Post Ave at Maple Ave\, Westbury\, NY\, 11590\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://www.huntingtonarts.org/wp-content/uploads/2022/03/soul-purpose.jpg
ORGANIZER;CN="Westbury Arts":MAILTO:julie@westburyarts.org
GEO:40.755797;-73.5878659
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Piazza Ernesto Strada Post Ave at Maple Ave Westbury NY 11590 United States;X-APPLE-RADIUS=500;X-TITLE=Post Ave at Maple Ave:geo:-73.5878659,40.755797
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220811T190000
DTEND;TZID=America/New_York:20220811T213000
DTSTAMP:20260610T171920
CREATED:20220801T131203Z
LAST-MODIFIED:20220801T131203Z
UID:10005161-1660244400-1660253400@www.huntingtonarts.org
SUMMARY:The Jazz Loft Presents Russell Malone Quartet  ("The Art of the Guitar" festival)
DESCRIPTION:Thurs. 8/11 through Sat. 8/13—\nMONTELEONE: THE ART OF THE GUITAR\nJohn Monteleone is one of the world’s greatest guitar builders. His guitars are on permanent display at the Metropolitan Museum. Several guitars will be on display at The Jazz Loft. \nTickets: Three-day Full Festival Pass– $265 adults\, $240 seniors\, $215 students\, $190 children\, children 5 and under free. Includes post festival VIP reception with food and drink. \nThurs. 8/11—\nRussell Malone Quartet. Jazz guitarist Malone has toured with Diana Krall and has played with many jazz greats including Dianne Reeves\, Ron Carter\, and Kenny Barron. With Richard Germanson\, piano\, Neal Smith drums\, and Vincent DuPont\, bass.\n7:00 PM. Single event tickets: $35 adults\, $30 seniors\, $25 students\, $20 children\, children 5 and under free.
URL:https://www.huntingtonarts.org/event/the-jazz-loft-presents-russell-malone-quartet-the-art-of-the-guitar-festival/
LOCATION:United States
CATEGORIES:Music
ORGANIZER;CN="The Jazz Loft":MAILTO:tmanuel@thejazzloft.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220811T200000
DTEND;TZID=America/New_York:20220811T233000
DTSTAMP:20260610T171920
CREATED:20220614T135005Z
LAST-MODIFIED:20220614T135005Z
UID:10005160-1660248000-1660260600@www.huntingtonarts.org
SUMMARY:The Paramount Presents Ashley McBryde
DESCRIPTION:Ashley McBryde cut her teeth playing country songs in rural biker bars – and it shows. Her 2018 major label debut Girl Going Nowhere (Warner Music Nashville) charmed the New York Times\, NPR\, Rolling Stone\, Paste\, The Washington Post\, and more\, all en route to landing a GRAMMY nomination for Best Country Album. McBryde closed out 2019 with ACM New Female Artist\, CMT Breakout Artist of the Year\, a New Artist of the Year win at the 53rd Annual CMA Awards and two nominations for the 2020 GRAMMYs for Best Country Song and Best Country Solo Performance for “Girl Goin’ Nowhere.” Her follow-up Never Will\, released April 3\, was tagged by Rolling Stone as one of the most anticipated of the year alongside NPR\, who also ranked her lead Top 10 RIAA Gold-Certified single “One Night Standards” as one of the best songs of 2019. Produced once again by Jay Joyce\, Never Will reveals the witty\, confessional\, detail-driven songwriting addressing a wide spectrum of blue-collar Southern women’s experience introduced on Girl Going Nowhere is still here\, but perhaps even sharper\, earning McBryde a 2021 GRAMMY nomination for Best Country Album\, along with 2021 ACM nominations for Album of the Year\, Female Artist of the Year and Song of the Year for lead single “One Night Standards.” The music itself is stadium-ready rock-and-roll with a bluegrass wink or two and country music’s storytelling heart––and McBryde\, no longer new\, is the music’s ordained and highly capable standard bearer. For more information\, visit AshleyMcBryde.com or follow her at Facebook.com/AshleyMcBryde\, Instagram @AshleyMcBryde and Twitter at @AshleyMcBryde.
URL:https://www.huntingtonarts.org/event/the-paramount-presents-ashley-mcbryde/
LOCATION:The Paramount\, 370 New York Ave\, Huntington\, NY\, 11743\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/png:https://www.huntingtonarts.org/wp-content/uploads/2022/06/Screen-Shot-2022-06-06-at-12.07.51-PM-1.png
GEO:40.86974;-73.4257977
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Paramount 370 New York Ave Huntington NY 11743 United States;X-APPLE-RADIUS=500;X-TITLE=370 New York Ave:geo:-73.4257977,40.86974
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220812
DTEND;VALUE=DATE:20220829
DTSTAMP:20260610T171920
CREATED:20220816T194232Z
LAST-MODIFIED:20220816T194232Z
UID:10005229-1660262400-1661731199@www.huntingtonarts.org
SUMMARY:The Firefly Artists Call to Artists: pARTy til the Cows Come Home!!!
DESCRIPTION:Call to Artists! Deadline 8/28! \npARTy ‘Til the Cows Come Home is a juried exhibition celebrating and complementing the Great Cow Harbor Day Weekend annually held in our historic downtown Northport\, NY. Works featuring cows\, and other farm life\, as well as those honoring the Cow Harbor Race and festival will be considered. All original media is acceptable\, such as drawing\, painting\, photography\, printmaking\, mixed media\, sculpture\, collage\, fabric work\, glasswork\, jewelry and digital media. Entries must be original artworks (no artwork created in a workshop or class under instruction of a teacher)\, no reproductions (with the exception of photography). Maximum size of pieces (including framing) is 30” x 40”. Each artist may submit one entry for consideration for $35. Artists can submit up to three additional pieces for $5 fee each. Up to two pieces of artwork from each selected artist will be chosen to be part of the exhibition. Please indicate whether the work is framed or unframed. \nThe exhibition will hang September 4 – 25\, 2022. Artists from throughout the USA are invited to apply. The Firefly Artists takes no responsibility for shipping\, and strongly prefers hand delivery and pickup of works. If you do choose to ship\, a prepaid return shipping label must be included.
URL:https://www.huntingtonarts.org/event/the-firefly-artists-call-to-artists-party-til-the-cows-come-home/
LOCATION:The Firefly Artists\, 90 Main Street\, Northport\, 11768\, United States
ATTACH;FMTTYPE=image/png:https://www.huntingtonarts.org/wp-content/uploads/2022/08/cow_small.png
ORGANIZER;CN="The Firefly Artists":MAILTO:ktl@thefireflyartists.com
GEO:40.9003658;-73.348833
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Firefly Artists 90 Main Street Northport 11768 United States;X-APPLE-RADIUS=500;X-TITLE=90 Main Street:geo:-73.348833,40.9003658
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220812
DTEND;VALUE=DATE:20220829
DTSTAMP:20260610T171920
CREATED:20220816T194615Z
LAST-MODIFIED:20220816T194615Z
UID:10005159-1660262400-1661731199@www.huntingtonarts.org
SUMMARY:The Firefly Artists: Call to Artists - pARTy til the Cows Come Home
DESCRIPTION:Deadline for Submission: August 28th!\nVisit our website for details! \nCelebrate our beloved village of Northport with this incredibly fun exhibition\, which will constitute a “Last Moo-Rah” and a “MOO-ving Celebration” for our incredibly “Cow-moo-nity Oriented” gallery of local art and artists! \n“pARTy ‘Til the Cows Come Home” is a juried exhibition celebrating and complementing the Great Cow Harbor Day Weekend annually held in our historic downtown Northport\, NY. Works featuring cows\, and other farm life\, as well as those honoring the Cow Harbor Race and festival will be considered. All original media is acceptable\, such as drawing\, painting\, photography\, printmaking\, mixed media\, sculpture\, collage\, fabric work\, glasswork\, jewelry and digital media. Entries must be original artworks (no artwork created in a workshop or class under instruction of a teacher)\, no reproductions (with the exception of photography). Maximum size of pieces (including framing) is 30” x 40”. Each artist may submit one entry for consideration for $35. Artists can submit up to three additional pieces for $5 fee each. Up to two pieces of artwork from each selected artist will be chosen to be part of the exhibition. Please indicate whether the work is framed or unframed. \nThe exhibition will hang September 4 – 25\, 2022. Artists from throughout the USA are invited to apply. The Firefly Artists takes no responsibility for shipping\, and strongly prefers hand delivery and pickup of works. If you do choose to ship\, a prepaid return shipping label must be included.
URL:https://www.huntingtonarts.org/event/the-firefly-artists-call-to-artists-party-til-the-cows-come-home-2/
LOCATION:The Firefly Artists\, 90 Main Street\, Northport\, 11768\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://www.huntingtonarts.org/wp-content/uploads/2022/08/cow_small-1.png
ORGANIZER;CN="The Firefly Artists":MAILTO:ktl@thefireflyartists.com
GEO:40.9003658;-73.348833
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Firefly Artists 90 Main Street Northport 11768 United States;X-APPLE-RADIUS=500;X-TITLE=90 Main Street:geo:-73.348833,40.9003658
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220812T190000
DTEND;TZID=America/New_York:20220812T213000
DTSTAMP:20260610T171920
CREATED:20220801T131231Z
LAST-MODIFIED:20220801T131231Z
UID:10005158-1660330800-1660339800@www.huntingtonarts.org
SUMMARY:The Jazz Loft Presents The Anthony Wilson Organ Trio ("The Art of the Guitar" festival)
DESCRIPTION:Thurs. 8/11 through Sat. 8/13—\nMONTELEONE: THE ART OF THE GUITAR\nJohn Monteleone is one of the world’s greatest guitar builders. His guitars are on permanent display at the Metropolitan Museum. Several guitars will be on display at The Jazz Loft. \nTickets: Three-day Full Festival Pass– $265 adults\, $240 seniors\, $215 students\, $190 children\, children 5 and under free. Includes post festival VIP reception with food and drink. \nFri. 8/12—\nThe Anthony Wilson Organ Trio. Anthony Wilson is an accomplished jazz guitarist and composer who won the Thelonius Monk International Composer’s Competition. He was the guitarist for Diana Krall. Joe Bagg is on the Hammond 3 and Mark Ferber is on the drums.\n7:00 PM. Single event tickets: $35 adults\, $30 seniors\, $25 students\, $20 children\, children 5 and under free.
URL:https://www.huntingtonarts.org/event/the-jazz-loft-presents-the-anthony-wilson-organ-trio-the-art-of-the-guitar-festival/
LOCATION:United States
CATEGORIES:Music
ORGANIZER;CN="The Jazz Loft":MAILTO:tmanuel@thejazzloft.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220813
DTEND;VALUE=DATE:20220814
DTSTAMP:20260610T171920
CREATED:20220801T131334Z
LAST-MODIFIED:20220801T131334Z
UID:10005157-1660348800-1660435199@www.huntingtonarts.org
SUMMARY:The Jazz Loft Presents MONTELEONE: THE ART OF THE GUITAR
DESCRIPTION:Sat. 8/13—\nMONTELEONE: ART OF THE GUITAR (continued)\n12:00 to 9:30 PM. Tickets: All Day Saturday Pass– $145 adults\, $130 seniors\, $115 students\, $100 children\, children 5 and under free. Saturday Pass includes a post festival reception with food and drink. \nSat. 8/13\, 12:00–\nFilm: “The Chisels Are Calling”– a full length documentary about John Monteleone\, one of the world’s greatest guitar makers. The film was produced by Street Singer Productions.\nQ&A with John Monteleone following the film.\n12:00 PM. Single event tickets: $25. \nSat. 8/13\, 3:00–\nRatko Zjaca\, with James Commack\, bass. Zjaca is an award-winning guitarist\, composer and recording artist. He is a versatile player best known for his work in the modern jazz and improvisation idiom.\n3:00 PM. Single event tickets: $35 adults\, $30 seniors\, $25 students\, $20 children\, children 5 and under free. \nSat. 8/13\, 5:00–\nThe Tal Yahalom Quartet. Brooklyn-based Yahalom is an Israeli guitarist\, composer\, band leader and recording artist.\n5:00 PM. Single event tickets: $35 adults\, $30 seniors\, $25 students\, $20 children\, children 5 and under free. \nSat. 8/13\, 7:00—\nJohn Pizzarelli Trio. Pizzarelli\, a renowned jazz guitarist and vocalist\, has recorded over 20 solo albums and has been credited for “reinvigorating the Great American Songbook.” He is the co-host of Radio Deluxe\, a weekly jazz radio show\, presented on radio stations across North America and online worldwide.\n7:00 PM. Single event tickets: $50.
URL:https://www.huntingtonarts.org/event/the-jazz-loft-presents-monteleone-the-art-of-the-guitar-2/
LOCATION:United States
CATEGORIES:Music
ORGANIZER;CN="The Jazz Loft":MAILTO:tmanuel@thejazzloft.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220813T200000
DTEND;TZID=America/New_York:20220813T223000
DTSTAMP:20260610T171920
CREATED:20220801T131522Z
LAST-MODIFIED:20220801T131522Z
UID:10005148-1660420800-1660429800@www.huntingtonarts.org
SUMMARY:EastLine Theatre presents In the Next Room\, or the vibrator play by Sarah Ruhl
DESCRIPTION:Sarah Ruhl’s romantic comedy about the invention of the vibrator comes to Lindenhurst this August. \n“It used to be that it would take hours to produce a paroxysm in our patients\nbut thanks to this new electrical instrument we shall be done in a matter of minutes!” \nSet at the dawn of the age of electricity in a seemingly perfect\, well-to-do Victorian home\, proper gentleman and scientist Dr. Givings has innocently invented an extraordinary new device for treating “hysteria” in women (and occasionally men): the vibrator. Adjacent to the doctor’s laboratory\, his young and energetic wife Catherine tries to tend to their newborn daughter – and wonders exactly what is going on in the next room. \nEastLine Theatre in association with the Babylon Citizens Council on the Arts will present Pulitzer finalist Sarah Ruhl’s Tony-nominated In the Next Room\, or the vibrator play this August in Lindenhurst. \nThis event is made possible through the support of the Suffolk County Office of Cultural Affairs and the Alliance of Resident Theatres / New York. \nIn the Next Room\, or the vibrator play by Sarah Ruhl is directed by Danny Higgins\, presented by EastLine Theatre in partnership with the Babylon Citizens Council on the Arts\, with support from the Suffolk County Office of Cultural Affairs\, intimacy direction by Francesca Betancourt\, stage management by Julianna Frasca\, and with costumes by Lynn Ciorciari. \nThe cast of In the Next Room\, or the vibrator play features Martin Balaguer\, Bryanna Bradley\, Margaret Brigid\, Paul DeFilippo\, John Dorcic\, Julie Fergus\, and Nicole Savin. \nEastLine Theatre is a nonprofit theatre company that BroadwayWorld calls ‘Long Island’s best kept secret’. EastLine aims to create theatre in unlikely spaces while re-examining the canon\, exploring modern plays\, and bringing original works to the attention of the community. \nEastLine Theatre returns to the BACCA Center after February’s sold-out production of Intimate Apparel. In summer 2021\, EastLine toured Long Island parks with an acclaimed production of Romeo & Juliet. In recent years\, EastLine has produced Prospero (Live)\, an original musical based on The Tempest; the Long Island premiere of Paula Vogel’s Indecent; a newly-commissioned adaptation of Antigone; a sold-out run of Peter Shaffer’s Amadeus in a tiny blackbox space; and a production of Treasure Island that BroadwayWorld said was ‘bursting at the seams with imagination’. \nEastLine Theatre is a proud member of the Huntington Arts Council and the Alliance of Resident Theatres / New York.
URL:https://www.huntingtonarts.org/event/eastline-theatre-presents-in-the-next-room-or-the-vibrator-play-by-sarah-ruhl/2022-08-13/
LOCATION:BACCA\, 149 N. Wellwood Ave\, Lindenhurst\, NY 11757\, NY\, 11757\, United States
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://www.huntingtonarts.org/wp-content/uploads/2022/07/vibrator-play-square-1.jpg
ORGANIZER;CN="EastLine Theatre":MAILTO:info@eastlinetheatre.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220813T200000
DTEND;TZID=America/New_York:20220813T233000
DTSTAMP:20260610T171920
CREATED:20220614T133853Z
LAST-MODIFIED:20220614T133853Z
UID:10005147-1660420800-1660433400@www.huntingtonarts.org
SUMMARY:The Paramount Presents Southside Johnny & The Asbury Jukes
DESCRIPTION:In a business where success is defined as getting a second single and longevity measured in nanoseconds\, simply surviving for thirty-plus years is a rare accomplishment. But Southside Johnny and the Asbury Jukes have not only survived\, they have flourished: more than thirty albums\, several Eps and a box set; thousands of live performances around the globe; a legion of dedicated and enthusiastic fans; dozens of classic songs; a release named by Rolling Stone one of the “top 100 albums of the 70s and 80s.” \nSouthside Johnny and the Asbury Jukes emerged from the New Jersey shore scene in 1974\, and though they carried over a significant influence (and some key personnel) from Bruce Springsteen & the E Street Band\, the Jukes evolved as more of a white R&B horn band in the Memphis Stax Records tradition. Organized by singer John Lyon\, guitarist/songwriter Steve Van Zandt (who decamped for the E Street Band in 1975\, but continued to produce\, manage\, and write songs for the Jukes) and Richie Rosenberg\, the band is well known for high-energy shows and no-holds-barred songs\, including “I Don’t Wanna Go Home\,” “Havin’ a Party\,” “The Fever\,” “Talk to Me\,” “Trapped Again\,” and “This Time It’s For Real.” \nStill tinged with the exuberant rhythm and blues feel that is the Jukes’ trademark\, and loaded with the driving sound of the legendary Jukes horn section\, Southside Johnny and the Asbury Jukes continue to expound their signature Jersey Shore sound – all for the sheer joy of it.
URL:https://www.huntingtonarts.org/event/the-paramount-presents-southside-johnny-the-asbury-jukes/
LOCATION:The Paramount\, 370 New York Ave\, Huntington\, NY\, 11743\, United States
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GEO:40.86974;-73.4257977
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Paramount 370 New York Ave Huntington NY 11743 United States;X-APPLE-RADIUS=500;X-TITLE=370 New York Ave:geo:-73.4257977,40.86974
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220814T143000
DTEND;TZID=America/New_York:20220814T160000
DTSTAMP:20260610T171920
CREATED:20220725T201019Z
LAST-MODIFIED:20220725T201019Z
UID:10005146-1660487400-1660492800@www.huntingtonarts.org
SUMMARY:Plaza Theatrical Productions Presents America's Sweethearts
DESCRIPTION:America has loved the swinging sounds of female close-harmony groups even before The Andrews Sisters hit the airwaves! America’s Sweethearts will charm you while navigating their way through a variety of trios\, duets\, and solos all with a slice of old-fashioned fun! Hear such hits as Sing Sing Sing\, It’s My Party\, Lullaby of Broadway\, Blues In the Night\, It’s In His Kiss (Shoop Shoop Song)\, Somewhere Over the Rainbow\, an Armed Forces Medley and many more!
URL:https://www.huntingtonarts.org/event/plaza-theatrical-productions-presents-americas-sweethearts/
LOCATION:Elmont Library Theater\, 700 Hempstead Turnpike\, Elmont\, NY\, 11003\, United States
CATEGORIES:Theater
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ORGANIZER;CN="Plaza Theatrical Productions":MAILTO:Plazatheatrical@aol.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220816T110000
DTEND;TZID=America/New_York:20220816T160000
DTSTAMP:20260610T171920
CREATED:20220808T160347Z
LAST-MODIFIED:20220808T160347Z
UID:10004526-1660647600-1660665600@www.huntingtonarts.org
SUMMARY:Hofstra University Museum of Art Presents Off the Press
DESCRIPTION:A print\, in the broadest definition\, is a work of art comprised of ink on paper created through an indirect transfer process. Four major printmaking methods have been developed over the centuries: relief\, intaglio\, and the planographic techniques of lithography and screenprinting. Each printmaking method produces a work on paper that has an individual and identifiable quality. \nOff the Press features works from the Hofstra University Museum of Art collection and provides examples of these four printmaking techniques. The collection contains more than 2\,200 prints in a range of mediums and processes that date from the late 16th century to the 21st century. As printmaking techniques have developed over the centuries\, artists have explored the possibilities and pushed the boundaries of traditional printmaking. Digital technology has added additional pathways for this artistic exploration. \nFunding has been provided by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature. \nAdmission is free.
URL:https://www.huntingtonarts.org/event/hofstra-university-museum-of-art-presents-off-the-press/2022-08-16/
LOCATION:Hofstra University Museum of Art- David Filderman Gallery\, Hofstra University Museum\, 112 Hofstra University Museum\, Hempstead\, NY\, 11549
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220817T080000
DTEND;TZID=America/New_York:20230228T170000
DTSTAMP:20260610T171920
CREATED:20220817T175807Z
LAST-MODIFIED:20220817T175807Z
UID:10000566-1660723200-1677603600@www.huntingtonarts.org
SUMMARY:Richard Clark - Forms and Textures in B&W
DESCRIPTION:Over the past ten years\, my wife and I have travel over much of the world. A fantastic venture! During these ventures I have captured colorful form and texture images everywhere. I always thought I would like to expand my skills in photography during retirement. Recently\, I have taught myself digital image rendering with different software packages. I accidentally discovered that rendering in B&W was as easy as rendering in color. Gradually I realized that for me\, B&W images were more interesting than color – I could bring out contrast of form and textures better than I ever imagined.
URL:https://www.huntingtonarts.org/event/richard-clark-forms-and-textures-in-bw/
LOCATION:Emma S. Clark Library\, 120 Main Street\, Setauket\, NY\, 11733\, United States
CATEGORIES:Exhibitions
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ORGANIZER;CN="Emma S. Clark Memorial Library":MAILTO:askus@emmaclark.org
GEO:40.9449389;-73.1119254
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Emma S. Clark Library 120 Main Street Setauket NY 11733 United States;X-APPLE-RADIUS=500;X-TITLE=120 Main Street:geo:-73.1119254,40.9449389
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220818
DTEND;VALUE=DATE:20230101
DTSTAMP:20260610T171920
CREATED:20220823T150808Z
LAST-MODIFIED:20220823T150808Z
UID:10000567-1660780800-1672531199@www.huntingtonarts.org
SUMMARY:The Firefly Artists Call to Artists: Opportunities to Engage with The Firefly Artists!
DESCRIPTION:The Firefly Artists\, Voted the Bethpage Best of LI – Best Art Gallery 2022\, is moving to a new location at 90 Main St\, Northport NY. This means we have room to take on new Fireflies! \nWe are seeking talented artists who share our community spirit. Artists and artisans of diverse media are welcome. To apply\, please email 6 jpgs of their work and a website link\, social media\, bio and/or artist statement if available to membership@thefireflyartists.com. \nWe also have opportunities available for pop-up solo shows and private receptions. \nAbout Us\nThe Firefly Artists was established in 2011 to create a gallery setting for local artists. The goal was to create a space where artists could meet\, collaborate\, and sell their beautiful creations. Over the past decade\, The Firefly Artists has had the great privilege of displaying a stunning variety of work by over 200 Long Island artists through our Main Street locations and pop-up galleries in the community. We boast some extraordinary talent\, while maintaining a very down to earth and supportive atmosphere that is unique to Long Island. We are eager to continue to be an outlet for local artists\, offering a place to create\, grow and connect to customers. Every time you shop at The Firefly Artists Gallery\, you help ensure our future and our ability to serve the local art community. \nMission Statement\nTo provide a supportive space where artists can collaborate\, learn\, and develop. Artists can exhibit and sell their work in a professional gallery setting. We seek to promote visual arts in our community by contributing to local educational efforts and supporting regional artists.
URL:https://www.huntingtonarts.org/event/the-firefly-artists-call-to-artists-opportunities-to-engage-with-the-firefly-artists/
LOCATION:The Firefly Artists\, 90 Main Street\, Northport\, 11768\, United States
CATEGORIES:Auditions
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ORGANIZER;CN="The Firefly Artists":MAILTO:ktl@thefireflyartists.com
GEO:40.9003658;-73.348833
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Firefly Artists 90 Main Street Northport 11768 United States;X-APPLE-RADIUS=500;X-TITLE=90 Main Street:geo:-73.348833,40.9003658
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220818T190000
DTEND;TZID=America/New_York:20220818T210000
DTSTAMP:20260610T171920
CREATED:20220405T173627Z
LAST-MODIFIED:20220405T173627Z
UID:10005145-1660849200-1660856400@www.huntingtonarts.org
SUMMARY:Westbury Arts’ 8th Annual Summer Concert Series:  X-Session
DESCRIPTION:Together for over twenty years\, X-Session is comprised of five seasoned musicians – guitar\, bass\, drums\, keys\, and sax. X-Session is well-known for its diverse musical selection and amazing vocal harmonies! You won’t believe there are only five voices. This rock-n-roll cover band has shared performances evenings with internationally known artists such as Kool and the Gang\, Roberta Flack\, and more. Founded in 1995\, X-Session has performed over 800 shows covering everything from Mumford and Sons to Elvis Presley to Brooks and Dunn and REM.
URL:https://www.huntingtonarts.org/event/westbury-arts-8th-annual-summer-concert-series-x-session/
LOCATION:Piazza Ernesto Strada\, Post Ave at Maple Ave\, Westbury\, NY\, 11590\, United States
CATEGORIES:Music
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ORGANIZER;CN="Westbury Arts":MAILTO:julie@westburyarts.org
GEO:40.755797;-73.5878659
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Piazza Ernesto Strada Post Ave at Maple Ave Westbury NY 11590 United States;X-APPLE-RADIUS=500;X-TITLE=Post Ave at Maple Ave:geo:-73.5878659,40.755797
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220818T190000
DTEND;TZID=America/New_York:20220818T213000
DTSTAMP:20260610T171920
CREATED:20220801T131407Z
LAST-MODIFIED:20220801T131407Z
UID:10005144-1660849200-1660858200@www.huntingtonarts.org
SUMMARY:The Jazz Loft Presents The Bad Little Big Band    [jazz]
DESCRIPTION:Thurs 8/18—\nThe Bad Little Big Band. The 12-member big band\, led by pianist\, composer\, and arranger Rich Iacona\, performs the music of The Great American Songbook. Featuring vocalist Madeline Kole.\n7:00 PM. Tickets: $30 adults\, $25 seniors\, $20 students\, $15 children.
URL:https://www.huntingtonarts.org/event/the-jazz-loft-presents-the-bad-little-big-band-jazz/
LOCATION:United States
CATEGORIES:Music
ORGANIZER;CN="The Jazz Loft":MAILTO:tmanuel@thejazzloft.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220818T200000
DTEND;TZID=America/New_York:20220818T233000
DTSTAMP:20260610T171920
CREATED:20220614T135041Z
LAST-MODIFIED:20220614T135041Z
UID:10005143-1660852800-1660865400@www.huntingtonarts.org
SUMMARY:The Paramount Tribute Series Presents: Yellow Brick Road - A Tribute to Elton John
DESCRIPTION:Yellow Brick Road\, A Tribute to Elton John\, from Augusta Maine\, is a full concert tribute\, complete with an incredible light show and sound system. Every detail of an actual Elton John concert is presented in such a way that will have Elton John fans screaming for more!
URL:https://www.huntingtonarts.org/event/the-paramount-tribute-series-presents-yellow-brick-road-a-tribute-to-elton-john/
LOCATION:The Paramount\, 370 New York Ave\, Huntington\, NY\, 11743\, United States
CATEGORIES:Music
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END:VCALENDAR